Figured Bass and Lead-Sheet Symbols

Lesson 8

November 2nd, 2020

Lesson 8

Lecture notes:
  • Inversions/Figured bass is indicated by three symbols inclusive of 5/3, 6/3, or 6 and 6/4.
  • Inversions/Figured bass in a triad can be in either root position, first inversion, or second inversion.
  • Root position is when the root note is in the bass. This is displayed with the symbol 5/3.
  • First inversion is when the third note is in the bass. This is displayed with the symbol 6/3 or 6.
  • Second inversion is when the fifth note is in the bass. This is displayed with the symbol 6/4.
  • The numbers in the figured bass symbols indicate which intervals are above the bass note. For example, 5/3 means that the intervals over the bass note are a fifth and a third.

The above photo shows triad inversions in Root Position, First Inversion, and Second Inversion in C Major's key. 


The above photo shows triad inversions in Root Position, First Inversion, and Second Inversion in all four quality sounds. The qualities displayed are Major, Minor, Diminished, and Augmented.


The above image shows triads in their three inversions and the figured bass symbols.


The above video describes what chord inversions are and how they are constructed.


The above video shows figured base symbols and how they function.



The above photo consists of the Diatonic Triad Inversions of F Major and its relative D minor.


This is me playing the Diatonic Triads in F major and D minor.

Comments

Post a Comment

Popular posts from this blog

Diatonic Sequences

Image
   Lesson 23 October 19th, 2021 Lesson 23 Lecture notes: A sequence is made when a musical idea is expressed , then repeated one or more times . Each repetition of the original idea is transposed up or down from the previous iteration by a consistent interval . A basic musical idea usually comes in either  half , full , or t wo measures . This is what ultimately becomes the sequence pattern when expressed in successive repetition . There are two main types of sequences in music which include the ascending sequences and the descending sequences . The ascending sequences include the ascending-fifth sequence and the parallel 6/3 chords sequence . The descending sequences include the descending-fifth sequence , the Pachelbel sequence , and the descending parallel 6/3 chords sequence . The various sequences follow a specific chord progression pattern . For example, the descending-fifth sequence progression would be I - IV - viio - iii - vi - ii - V - I . The Pachelbel
Read more

Dominant Sevenths

Image
  Lesson 17 March 22nd, 2021 Lesson 17 Lecture notes: The dominant seventh chord contains two tendency notes , including the leading tone and the chordal seventh . In a dominant seventh chord , the third degree of that chord is the leading tone for the tonic chord, which would resolve up to the tonic note ( 7 - 1 ). In a dominant seventh chord , the seventh degree , also known as the chordal seventh , is the tonic chord's fourth degree. This note would resolve down to the third degree of the tonic chord ( 4 - 3 ). The two predominant chords that lead to the dominant chord are the minor second and the perfect fourth . The basic phrase model would look like ( T - PD - D - T ) whenever used. Parallel fifths are easy to occur. An excellent way to avoid this is by omitting a note in either the dominant seventh chord or the tonic chord. The note that can be left out of either chord is the fifth-degree note .  Root position ( 7 ) and second inversion ( 4/3 ) dominant seve
Read more

Variations

Image
  Lesson 30 February 4th, 2022 Lesson 30 Lecture notes: There are multiple types of variations , inclusive of the continuous variation , sectional variation , figural variation , chromatic variation , textural variation , and timbral variation . The continuous variation is the continuous flow of a musical idea and a Fortspinnung phrase structure. This variation type was widely used in the Baroque era of music. Fortspinnung is the development process of a specific musical motif . First, the motif in question is developed into a complete musical using sequences , intervallic changes , and simple repetitions . There are two different types of continuous variations . Ground bass or passacaglia and chaconne . The ground bass / passacaglia  is when there is a repeating bass line , and only the upper voices change or vary . In the chaconne , the harmonic progression is repeated and varied while the bass remains the same for several successive variations , but it e
Read more